I help people build sonic identities.
Sound design, composition, and production assets, built exclusively for what you're making.
Whether you are making an album, a sample library, a film score, a game soundtrack or a commercial product, I build original material around your creative direction. Not recycled from existing packs.
- Sound Design
- Composition
- Production Assets
What I make.
“I need a preset bank built around a specific reference sound.”
My Contribution
All You Need Vol.1
All You Need Vol.2
All You Need Vol.3
Soul Mania Vol.1
Soul Mania Vol.2
Melodic Sounds
Steal These Midis Vol.1
(AYN Sounds)
“I need an Analog Lab bank that captures a specific vintage or soul sound.”
My ContributionTwo banks built solo: the AYN Soul Sampler Mellotron bank (Soul Mania Vol.1) and the AYN ElectroSoul bank (Soul Mania Vol.2).
“I need a Serum bank with warm, analog-style leads and pads.”
“I need 808 patches built from scratch.”
“I need a Phase Plant bank for cinematic or ambient textures.”
“I need custom patches built in Roland Cloud for a retro, synth-driven project.”
“I need an Omnisphere bank with lush, ambient pads.”
“I need a custom Kontakt instrument built from my own recordings or samples.”
“I need custom patches built around a specific sound.”
Ask for anything not listed. Presets built across Arturia, Roland, Native Instruments, u-he, Spectrasonics, UAD, Tone2, Xfer and more.
“I need an original composition built around this idea.”
My Contribution
“I need something written specifically so it can be chopped and sampled.”
My Contribution
“I have this reference song. Can you make something with a similar feel?”
My ContributionDetails on request. Submit a project and I can share some examples.
“I want to use this melody, but rework it into something new.”
My ContributionDetails on request. Submit a project and I can share some examples.
“I need you to add drums and your own ideas on top of this.”
My Contribution
“I need guitar and a bassline on this track for my project.”
My ContributionFlutes performed and composed, guitar phrases played, horn and string parts composed for session players, spoken word and vocal runs.
“I have an idea for a song but need the right chord progression to build it around.”
“I need an ostinato flute melody.”
“I need an original composition delivered as separate stems for my production.”
My Contribution“I need tonally consistent trap drums with unique resonant snares, laser-ish hi-hats, and futuristic 808s.”
My Contribution(AYN Sounds) Full drum kits built solo.
(AYN Sounds) Synth Mania Vol.2 was built with a collaborator, not solo.
“I need a one-shot library built around textural idiophonic tones with airy resonant notches.”
My Contribution
(AYN Sounds)
“I need a pack of old-timey sounding background noises to glue my track together.”
My Contribution
(AYN Sounds) Textures and accents.
“I need a pack of chord progressions in the style of library cues from '80s detective scenes.”
My Contribution(AYN Sounds) Chord progressions, melodies, runs and phrases.
“I need dark flute runs in Phrygian, jazzy electric bass with auto-wah fills, and pitched-down melodic vocal runs.”
My Contribution(AYN Sounds)
“I need percussion loops with washy, dark, atonal cymbals and soft, dynamic, dissonant horn melodies for my beats.”
My Contribution(AYN Sounds) Percussion loops, drum breaks.
“I need mixer presets that make my melodies more textural and mangle my drums beyond recognition.”
My Contribution(AYN Sounds)
“I need a preset bank for one plugin, not a full mixer chain.”
My Contribution(AYN Sounds) A SoundToys EffectRack bank, presets for that one plugin rather than a mixer preset built from several.
“My strings sound like five different libraries stapled together, can you make them sound like one recording?”
An ordered sequence of tools, set once and run across a whole project so every track gets the same treatment in the same order.
“I need retro, campy sound effects, think a 1960s evil-scientist laugh, an arcade power-up chime, that library-cue kind of energy.”
My Contribution“I need a pack of sample compositions that sound like an early OS boot-up screen and menu.”
My ContributionWorking across Analog Lab, Serum, Vital, Phase Plant, Roland Cloud, Omnisphere, Kontakt, UAD, Arturia and Spectrasonics, among many other modern software instruments and hardware. If you need something specific that is not listed here, ask.
What a project can become.
A project can combine Sound Design, Composition, and Production Assets rather than being one category. An album sound palette, for example, is usually all three at once.
How you can hire me.
Tell me what you're making and how much of it you need. I scope the price around the actual work, not a fixed menu.
A focused piece of work with a clearly defined scope: a handful of sounds, a short musical sketch, a small preset bank, a processing chain, or another similarly sized request.
Composition work, larger production-asset requests, and full projects. Quoted after we talk through what you actually need, how much of it, and how involved it is.
Sound Design
Composition
Production Assets
These are starting points, not a fixed price list. The final quote depends on the scope and complexity of what you're actually asking for. Nothing starts before the price and timeline are settled.
How it works.
Tell me what you are making and where it is going.
Share references and creative direction.
We agree scope, timeline and price before anything starts.
I build everything from scratch.
You receive the deliverables, on the terms agreed up front.
Who this is for.
Rights, revisions and ownership.
Is my project exclusive?
Unless otherwise agreed, all commissioned work is created specifically for the client and is not resold or reused elsewhere.
Can the work become a public product later?
Yes, by separate agreement. That can be a flat fee, an additional payment or a split, settled in writing before anything is released.
Who owns the files?
Ownership and usage are agreed before work begins and written into the scope. Nothing is assumed on either side.
Are revisions included?
Yes. The number of revision rounds is agreed as part of the scope, so you know what is covered before we start rather than after.
Can I use the work commercially?
Commercial use is standard for commissioned work. Any limits are stated in the scope up front.
Do you take freelance or company work?
Yes. Work for labels, sample companies and brands is welcome, and can be handled under your own terms and agreements.
How long does it take?
Focused commissions usually run in days. Larger projects are scheduled and quoted with a timeline agreed before starting.
What if the project is not a good fit?
I will say so early rather than take work I cannot do well. There is no obligation on either side until scope and price are agreed.
Recent client work.
“Huge fan of your FL Studio presets. Would you ever consider doing a custom pack of those?”
Twenty custom mixer presets built around reference soul ballads from the era, using Lexicon reverb, Pultec-style EQ and channel strip processing, with Patcher chains handling the mastering presets. Scoped, built and delivered inside a week.
“I saw your work online, you get so close to the sound of those old records, that whole era.”
An artist reached out about wanting samples remade so they could be sampled without clearing the original recording's publishing. That grew into an ongoing collaboration through their album cycle, several remakes and interpolations across different songs, revisions along the way, working out together what would and wouldn't need clearance, with stems and mix notes sent straight to the mixing engineer. We settled on a per-song advance plus a publishing split as we went. The tracks made the final album, with credit and payout running through the label at release.